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Stranded at the drive-thru, branded a fool…

by C. Christian Scott on August 22, 2020 at 2:58 pm
Posted In: Blog, Main

Earlier in the week, Erin had been doing a bunch of stuff. She’d cleaned the house. She’d painted. She was doing laundry. And she had all this energy she was trying to use and wasn’t sure what to do with it.

And that’s pretty much my headspace. I think I want to do about a million projects at any given time, but I can’t pick one, drive towards it with enough dedication, without getting distracted by something else. Not to mention the feeling of “but in the end, this is all going to amount to crap, right?” that comes with any of it.

Podcasting was easier because it involved someone else, so I treated it both as a fun time more than a work time, and I didn’t want to let that person down. All I had to do was get in the seat every week and I wound up having a great time.

Sometimes writing is like that too. I start doing it, and I’m totally in love with it. Not what is written, but the writing part. But I push myself so hard towards anything that isn’t writing with every excuse I can come up with. I’m tired, I’m hungry, I should spend time with Erin, our shows are on, the cats want attention, I have dishes, I should be blah-blah-blah-ing. And the anxiety again of, really, nothing I work on really matters. It doesn’t go anywhere. I never actually get something done that I feel is good enough, so it sits on my computer or in an email or whatever.

Anyone else talks about symptoms like these, which they are, and it seems pretty obvious that it’s brain chemistry, right? Like maybe there’s something to it that needs treatment. But I’m going to be 49 in like a month. This is how my brain has been my entire life. I don’t know how to change how I think now. I don’t know if I’d be okay with trying.

So I beat this drum, over and over, that I want to do something. Make something. Be something. Anyone on here who actually reads my posts has got to be tired of it. I’m tired of it.

Erin hasn’t been feeling well, aside from her back. Not abnormal stuff. But tonight was the night that she sends me to McDonalds.

I tend to order from the mobile app when I go to a fast food place. Because I’m both particular about what I order (in how it’s prepped. I mean, I know, it’s still fast food), and I don’t really love dealing with the drive-thru.

McDonalds normally is a pretty reasonable experience. You do the order, arrive, pull into one of the numbered parking spots, confirm the order, the eventually bring you the stuff.

Our joint here in town is… we’ll go with “hit or miss.” I often get something along the lines of, “Here’s your food,” and I’m all, “Did you also have the drink I ordered?” And they run back in and throw it together. Never a bad experience. Just not perfect. I’m fine with not perfect.

So I get to our restaurant and park in Spot #1 and confirm my order on the app. Get the immediate email saying, “Hey, you just ordered food! That’s great, we appreciate it, here’s your bill, should be right out!” This was, looking at my email, 7:22pm.

I’m listening to MCR because that’s my brain today. It doesn’t matter, but I start out with a couple songs on Black Parade, and then decide I want to listed to stuff on Conventional Weapons instead. The reference is to let you know the passage of time.

The place had two cars at the order boxes when I got there. Maybe another two or three ahead of them in the line leading to the window. I am in spot 1, no one in spots 2, 3, or 4. Yet.

I notice that I’m about four songs into Conventional Weapons as I see two cars that have pulled in on either side of me get their food and leave. I notice, I say, but I don’t really think too hard on it. Fast food is an imperfect science.

Getting notoriously close to the end of the album (not their longest one mind you), someone finally comes up to my car with a bag (minus Erin’s McCafe drink). She hands me the bag, I mention I’d ordered a Frape, she apologizes, goes to another car (arrived after the previous two had come and gone), and as she’s walking back I’ve realized that the food in the bag is not mine. I hand it back to her. She asks what I ordered, I recite it. She heads back in.

My playlist goes into the Under Pressure cover.

As Gerard’s solo album starts, another person comes out and asks about my order. I recite it again, and I start to show her my phone. She says, “Oh, you did a mobile order. Okay, they’ll bring that out to you.” Yes, that was my understanding as well.

Three or four songs into Gerard’s album, I see the last person to contact me walk out of the restaurant. Not to my car. To her own. Must be her break.

And yes, I later see her go back in from her break. I should mention because why not, I’ve added some later tracks onto the Way solo album. Other stuff he did later I guess. So it’s got time.

Erin texts me, concerned because I’ve been gone a while. It’s 8:08.

I explain that I’ve been recognized as waiting by more than one person more than one time. She asks if it’s busy, which it is. Far busier than when I arrived. I consider switching to Dishwalla’s “Counting Blue Cars” because I like to joke with myself and I have shit taste in music obviously. Gerard keeps singing though. Erin starts to try to get me to react like a normal person and actually go confront someone about why I’m not stealing some of her fries on my drive home.

When it gets to the hour mark, as I’m looking at the other people around me (all much newer to this situating than me, but I still empathize with them), I begin to write a stern but fair note to the McDonald’s “Contact Us” page through the mobile app. Erin texts me again. I go to answer her. I flip back to the app and it has erased my message before I got to hit send.

It hits 8:30. I am a lonely fat man sitting in a Ford Ecosport listening to a very famous Emo band singer knowing that he has never experienced suffering such as this. I am now certain the Ronald McDonald is a cenobite and he has all of eternity to relish in my torment, and I have spent the first half of that eternity waiting for my McChicken sandwich, so I know what anguish is.

I walk inside. Technically, I follow the small teenager who was frustrated in her car having been waiting a mere 6 minutes after going through the drive thru where they told her to pull up ahead and they’d bring her her order. Far braver than I if less patient, I hope to ride her figurative coattails of complaints so I can look like nicer person and just be all, “No, I totally get it, you guys are backed up. I just want my food please. I’m not nearly as mean as this red-headed child. Please don’t spit in my McChicken. I won’t be able to tell, but I’m going to know that you did just the same.” But, woe is me, she has gotten her stuff and pushes passed me in the doorway as I make my way in.

The floor is slippery and I’m wearing my cut-off sweats because that’s all I’ve worn every day since quarantine started. They don’t fit me because I have no ass, so even though I tie them as tightly as I can around my ample midsection, they like to slip right down to my ankles with the hit of a light breeze or perhaps only the soft kiss of a puppy’s cough. I struggle to maintain balance and dignity, but who the fuck am I kidding?

The person who assured me that “they” would be bringing my mobile order out, who I think is the manager on duty, walks past me out the door with about three bags in her arms. I go to open it for her, but immediately am reminded that I only barely made it to the counter without my “gentleman and the lads” protruding so I do a helpless gesture of “sorry, you are already there, wish I could have been more help, but the moment has already passed” which no one sees nor appreciates.

The person who brought me the wrong food before looks at me and says, “Oh, aren’t you the mobile order?” If one could live simply off the sustenance of mockery, I would have left then, fully satiated.

“Yes,” I say meekly. Because I bear no worth as a man.

“Was that your order she just took out?”

Oh, if it had been, I might be very well reciting this as my confession during last rights.

“No,” I peep, and I show her the email confirmation on my phone. I vainly hope she’ll show some signs of recognition and remorse when it clearly shows the time that order was placed. But I guess it’s enough that she was able to count the two hamburgers, the two chicken sandwiches, the one large fry, and the Frape. After all this, if she had given me the wrong order, I would’ve driven to Mexico and gone as far as I could towards leaving this entire continent as opposed to going home and having to face my wife with the news that I couldn’t even muster the strength to get her a mocha instead of a caramel drink, goddamn my eyes.

The manager comes back and says, “Are they taking care of you?” They, you mean the Inquisition? Yes. And while I’m here, this seems like such a functional environment, can I please get a job application?

And then, I swear to you, this is the moment I heard fathoms of internet assholes scream “CUCK” at me and I finally knew what it meant and agreed with them…

I thanked them.

At 8:36pm, one hour and fourteen minutes waiting for a McDonalds dinner, I started my car and somehow managed to drive it straight home instead of into any of the three rivers that my town is named for.

The moral of this story is that there is no moral to it. I ate my McChicken sandwich and it was even saltier than normal because of my tears.

Shit man. Taco Bell was right across the street.

I don’t know. I wrote a couple of long posts on Facebook today, but I can’t make myself believe that those count as “writing.” They’re journaling, which is a good thing, minus it being on Facebook which only holds value because of the friends and family I have on it. Otherwise, it’s a waste of effort.

At least these were heartfelt attempts at some kind of storytelling. About me, my life, my issues. I’ll accept them for that. If they were just reactionary shit to memes or bullshit Facebook “news,” they’d be even less worthwhile.

I was thinking on my wait in the drive thru that my brain hasn’t really thought creatively in a while. Stuff that hits it is very in the moment, not imaginative. It bothers me. I’m a dreamer by nature. I’m a storyteller because my brain is always wandering, having dialogs and diatribes and making shit up or composing whatever. And I can’t remember the last time something stuck in there that wasn’t either a rehash of something I’ve already thought about a ton with no real progress, or just observations without additions. I’ve been living in a mundane state for too long. And I’m not adventurous, at all, but my days and nights are all inside this house. My conversations are almost exclusively with my wife, which would be fine, but we have way less to talk about that’s not politics and those we’re both sick of. We settle into watching HGTV, and now Big Brother All-Stars (which is so much UGH!). I watched the second season of Umbrella Academy last weekend which was great, but seeing it on my own means I have nothing to talk about her with. Other than my I guess bi-weekly chats with Levi where we stay up all night, I’m very closed off. Dinner with the family on Wednesdays doesn’t lead to anything deep because I’m treading lightly to keep the tone friendly for the other diners. Not because I fight with my family a lot or anything. Its just… things are really charged right now. I’m afraid anything can spark off some heavy shit that doesn’t really need to be said at the local Dairy Bar. So I bite my tongue. Me. The fucking captain of temerity. The fuck is going on there?

So my only company is me, and I’m boring AF right now. My kitten seems to like me.

It is not on anyone else to rescue me from my mundanity (that should be a fucking word!). But I really would like to be rescued. I think that’s part of it too. I’ve felt like I’ve had zero control in my life for years. I’m constantly praying for some hypothetical windfall that will never happen just so we can stop struggling with everything. It’s the same thing as when I buy a new book on writing, try a new writing program, want a new desk, a new chair… “Things will start working better now when i have this!” No, that’s never the case. Because it’s still me that’s gotta perform. I’ve only ever barely performed on my own, I’m much more motivated when I have someone. But I keep closing off to the someones that would be willing to help me. Because I’m too chicken-shit. I look at my age and think, “Well, not a lot of time left, why start now?” But I’ve been saying that for decades. I’m either still alive and here or I’m not. I’ve pre-shuffled off this mortal coil in my head, so why try anything. But that only makes sense if I have zero desire, which was not the case… until the last couple of months. I really feel so stagnant that I have nothing in me. I’m waiting for the death rattle. I’m waiting for that zombie fart to bloat and blow out of my fresh corpse. Billy Crystal would call me “mostly dead,” but I don’t have a candy-covered pill to bring me back to go save Princess Buttercup. I’m no dread pirate. I’m just dread.

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My Two TV Dads

by C. Christian Scott on August 21, 2020 at 2:53 pm
Posted In: Blog, Main

As a child in the seventies, I had two surrogate TV dads.

Not to say that I didn’t have or know my real dad. I did, although my parents were divorced from before I can remember, so I mostly saw him every weekend. We had a great relationship though (with rough patches here and there of course).

But I grew up watching a lot of TV. I’m a screen kid. Television, my first gaming system (and Odyssey 2), my first home computer (a Commodore-64), on through today with laptops and cell phones and tablets. Our new kitten seems to be fascinated by screens to, which worries me in the same way I’m sure it worries parents of non-furry kids. At least I don’t have to be concerned he’s going to make a TikTok account?

Right? Please tell me I’m right.

But television was my connection to the world that wasn’t my mundane school days and house chores and whatever. Television and comics. And while I loved comic books, and that’s mostly what these posts are going to be about, I’m starting with the TV dads because of a couple specific reasons. Because of who they are, both where I first saw them and where I later saw them.

My dads were John Ritter and Robin Williams. But moreover, they were Jack Tripper and Mork (from Ork).

Now, when it comes to TV dads and probably dads in general, I can’t imagine there are any better choices out there. But they taught me very different things. They were, inherently, very different characters.

Jack Tripper was cool. Yes, he was bumbling sometimes. He had some very dated ideas about women and dating, not to mention what it meant to be a gay man. But he was confident in a way I wasn’t. He was handsome. Had a great smile. And humor, to me, was about all I was ever going to be able to pull of when it comes to being “sexy.” And he was a far cry better than his neighbor and best friend Larry when it came to how to treat ladies, which may be me just excusing the show I loved as a kid now as a more educated adult. I actually followed Jack from Three’s Company to Three’s A Crowd, where he got married and became slightly more of a “grown up.”

And Ritter was just an amazing talent. I can’t think of anything I’ve seen him in where i didn’t adore him. But one thing stood out. We’ll get to that.

Mork… Mork was something else entirely from Jack. Getting his start on a Happy Days episode, which I don’t know if I saw it as it aired, but I always perked up when it played in reruns. Mork and Mindy came out and I was immediately hooked by this backwards-suit-wearing, upside-down-sitting, egg-shaped-spaceship-flying person. He said nonsense words that I took into my own forming lexicon and shook hands with split fingers and had a childlike wonder at the world around him.

Mork was cool in that he wasn’t cool. Mork was happily oblivious to how he was supposed to act, to how he needed to be normal. He was always being taught how to fit in, but in the end he would teach the value of not fitting in. And he loved everyone. He just attached to any new person brought into his reach. But he also had Mindy, and while it was obvious the show was going to lead to the eventual romantic relationship between the two, they started out with a very close friendship, and she was such an essential part of who he was as he tried to become more human. Someone who can love and support you even though you’re such a weirdo was the life lesson I needed probably more than anything else.

And Robin was so much that weirdo in real life. I think it was very hard for me to separate Mork from Robin, not only because I first “met” him and knew him best in that role. But because Mork really felt like a celebration of so many of the things that made Robin himself special. Now, I’m not blessed to have known or even met Robin in real life (I was once about five feet from him in a store I worked at and I chickened out on going up and telling him how much he’d always meant to me. I regret that choice so much). But I’ve watched all his stand-up and his appearances on talk shows, and so many places. He just radiates weirdness and silliness and fun and love. So it confused my brain when I would see him in roles that didn’t quite fit that image, especially when I was still young, like The World According to Garp, which allowed him to be weird but also tragic. Or later things like Dead Poets Society or Good Morning Vietnam (which honestly set me on the path to trying to go into broadcasting in the Air Force, something that didn’t happen but almost did). Both of those roles, again, celebrate individuality and love and life and so much that ties back to Mork, but were tempered with more adult themes that affected me so much more because it was him in the part. The kid who wanted to be Mork (I used to call myself Zork from Ork at school) had to see himself differently when he saw his role model dealing with stuff that was new and strange and scary and sad.

So what does this have to do with comics?

Because both of these actors, very soon after becoming two of my biggest influences in my young life, wound up in roles that tied to one of my other major loves. Comics or comic books.

I think, and this is grey area in my memories, but I think I remember seeing the ads for Popeye first (of the two). I knew Popeye more from the cartoon than the comics, but I had some stuff in print here and there. And I won’t say that Popeye was a favorite of mine. Until Robin played him.

And it’s such an extraordinary movie and accomplishment to think about now. Popeye is weird. Really, really weird. Without even getting into things like the Goons in the comic, the theme is just this seemingly happy-go-lucky sailor who has Olive Oyl as his best girl, but he’s constantly being challenged by this giant jerk Bluto for her affections. And he’s got a guy who just wants to eat hamburgers for free (honestly, probably the character I most related to in the strips. Wimpy was essentially Jughead taken further into his Id). He eats spinach (a food so foreign to me that I took five passes at it to figure out how to spell it just now) that makes him strong, so the payoff every episode is him getting a “high” from this stuff so he can defeat Bluto or whatever.

How in the heck do you make this a compelling film?

Well, I guess the first thing you do is make is a musical. Right?

I mean, what was that? Other than the “I’m Popeye the Sailor Man” tune, I don’t remember any singing in any of the cartoons. I would probably have paid good money not to ear some of those voice actors sing, the results might have induce ear bleeding. On the other hand, hearing Shelly Duval belt out “But he’s large” in that semi-screeching voice, as annoying as it should be, actually really works (and I find that one surfaces in my brain more that any of the other tunes in the flick, except maybe “Every Day Is Food”). The movie starts very tonally down. Which is on brand for Popeye, but this is a character and film that has to be aimed at kids, right? And it’s just so drab! It’s a town that’s being bullied into a miserable existence by Bluto and the guy he works for. Popeye comes in less happy-go-lucky and more “leaves me alonesk” with everyone. The film is packed with great character actors, but it’s just so weird.

So yeah. I adore this film. Every bit of it. It somehow did just what it needed to do for me; it showed me a Robin that wasn’t Mork at all, but was all new stuff to love and look up to him for. It showed his range, it showed more talents (singing, dancing). I watched it so much as a boy. If I’d taken that chance and talked to Robin, even beyond Good Morning, Vietnam, I think this would have been the movie I would have most gushed over.

And of course, after that we’ve seen Robin play other cartoon characters. Alladin, Ferngully, Robots, and so on. It’s not outside the bounds to see a tie between Robin and what was essentially my biggest hobby as a kid.

John did another kind of thing.

I was probably too young for it, but as soon as it hit cable or video (I think my grandparents had a Betamax copy), I watched the heck out of “Hero At Large.”

If you’re not familiar with it, and I honestly can’t remember the last time I saw it play on anything so why would you be, “Hero At Large” had John take on the role of Captain Avenger. Or, rather, the role of a person who took on that role.

Captain Avenger didn’t exist in comics. It was a character created to have some fame in the movie itself. But he had a costume and a cape and a cool (to me as a sub-ten year old) name. And it was John Ritter. So other than a very few TV shows and the Superman films with Christopher Reeve, I didn’t have a lot of live-action superhero movies (yet). Let alone ones starring one of my “dads.” So I was attached to this.

But this movie wasn’t a superhero movie. It was a movie about a struggling actor. It was a movie about someone who winds up taking a bit of advantage of a situation using celebrity status to win over an audience. And in the end, it becomes that person growing beyond that and learning a little more about what actually being a hero is, but also just being a good person.

If you haven’t seen it (and if it’s out there for you to see, that’s hard to say), I don’t want to take away your opportunity to enjoy the story yourself. I know, 40 year old film, the spoiler warning should be well worn off. But hey, you do your thing.

Sufficed to say, it taught me some lessons that hit me differently because of how it was dressed and who it starred. It wasn’t quite the level of “favorite” as Popeye because it’s way more time hanging out in filthy subways and what I assume is New York’s streets at night than a cartoon or superhero film should have in my mind (at the time). And at the end of the day, Captain Avenger was a costume and name that had no other property attached to it for me to build a broader mythos in my head. But it was John Ritter, who delivered in the part in a way that I don’t know many others could. And I’m totally conscious of my bias here.

So two of my biggest influences when I was a kid played what were, in some maybe stretching-it way, superheroes. Or at least cartoons. And, for me, that also vindicated everything I loved. I hear a lot about other kids that grew up feeling that they had to hide their love of comics (or other geeky and nerdy hobbies). Like comics were something they didn’t let the cool kids know they liked.

That wasn’t me. I loved comics and everyone knew it. My dad couldn’t count the number of conversations he tried to have with me about my real world day and I had nothing to say about it. But if he asked me about Batman or Shazam or Archie or Richie Rich, I could go on for hours, easy. As a teenager, when the Teenage Mutant Ninja Turtles started to gain popularity with the movie and the cartoon series, I’d already been bringing in copies of the comics and the Paladium Role Playing Game to class two years prior.

Comics didn’t make me feel weird. They didn’t make me feel like being a nerd was an insult. Yes, other people pushed that on me, and it got to me. But I never let it affect my love of the medium. When the world tried to break my spirit, comics, the characters and their stories, showed me how to fight back. And if I’d ever hesitated in that, if i felt like I was wrong to think that comics were cool, my two surrogate dads, and my real one (if somewhat begrudgingly), taught me that I was okay.

I was better than okay.

I was Zork from Ork.

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The Uncommonly Cool

by C. Christian Scott on August 20, 2020 at 2:00 pm
Posted In: Blog, Main

Hey there.

It’s probably best for my own state of mind and for yours, if you have any intention of following me down this path, to define a little bit about what I expect to be talking about here.

To start, since I technically exist (depending on the viewpoint of some billionaire or, I don’t know, Alan Moore) this blog is obviously built around my desires. And since you technically don’t, in so much as I’m writing this with only me in the room, seeing the words as they hit my screen, and no one else knows about this yet or gives a fig about my opinions, I can’t honestly be writing this for You. As much as I’d like to be.

Blogging is a conceit, of course. It supposes that one person’s opinions and ideas are so eloquent and valuable that other people will seek them out and read them on a… weekly basis? Am I over-promising my schedule already? I hate putting expectations on myself. Writing used to be easy and fun because I didn’t care about any of it. Then it became precious and had to promise me some sort of net return. Which never happened because, frankly, I choke up at the idea of challenging myself.

I used to write stories to avoid school. I used to write songs for the same reasons. I used to write a LiveJournal because I needed a way to socially interact after a bad breakup. And about the only things I’ve done that actually got seen by more than a handful of people were comics.

I love comics. I have always loved comics. I was born and raised in the early 70s and I can not recall a time when I wasn’t a comic reader. For sake of simplicity, I’ll include comic books, comic strips, graphic novels, Manga, and so on here. And the culture that seeped into cartoons and television shows and films. All of it. My Mego Superhero dolls. My original art that is decorating the walls of my office.

Comics.

In my twenties, I actually semi-conned my way into working at and managing a comic book store. Then I abandoned everything I knew to move to California, where I wound up working at two other ones (years apart). I have seen comics from many different angles, and I think my last time doing the retail gig of it maybe killed my enthusiasm a bit. Not because of the job, certainly not the person I worked for or our customers. Perhaps it was the publishers. Perhaps it was the cost, ever skyrocketing. Or maybe I’d just grown to a point where what I’d always loved was giving diminishing returns. It happens. I don’t like it, but I was just in my early forties then. Now I’m nearly fifty and I think… Is it too late?

No. Of course it isn’t. Stan Lee was 95 when he passed and he loved comics as much or more than anybody. Granted, he had the added benefit of creating a large chunk of them.

And I’d like to create some more comics too. I’m working on that. But in doing so, I am taking a look at why it’s so important to me to make comics when I’d so recently had a stepping away point. Why do I love something so much, and want to pour my time and energy into making it for others, if it’s not something I’m currently enjoying myself?

I’m hoping I’ll find an answer here. I have some ideas, to be sure. But my brain flits around so much, I haven’t pinned any of them down. Sometimes you just need to talk things out. Or, in this case, write them out.

So yes, this is absolutely a self-serving blog. Not surprising, I mean, look… a lot of them are. But like most things I’ve ever made or written or performed, I make it because I feel like I need to, for me. But I also hope that it will make a difference or build a connection with someone else. Like You. Who, hopefully, a little while after I actually post this, won’t be so technically non-existent.

But if we’re getting into the technicality of it all, does it really matter?

It’s just another comics blog after all.

EDITOR’S NOTE: This was meant to be the introduction to a Blog I was hoping to start on another platform. I’ve chickened out of that, for right now, so if you’re here you probably don’t need an introduction and this isn’t going to technically just be a “comics blog” but more my old LiveJournal coming back to life. While I’d love to be able to snag the years of entries from that, as embarrassing as many of them are, I’m not sure if that will happen. So this is LJ Part 2, or what I’m now referring to as “CapJournal” here. I don’t blog as much as think out loud, and I’m way out of practice, but Levi has talked me into putting it out into the open again.

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