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Nothing good

by C. Christian Scott on September 1, 2020 at 7:33 pm
Posted In: Blog, Main

Today has been a pretty lousy day overall. After I got ready for work, Erin texted to let me know that her card was declined, and it turned out we were overdrafted. We’d both spent too much this pay period on little things we didn’t realize the other was also spending on, and it just added up and made things impossible. Erin had some cash in her Venmo from her art, which helps us, but I both hate taking money from her art sales and hate that we just can’t seem to get our shit together.

Work was monstrous, and towards the middle of the afternoon our Comcast has been going out frequently. So I wasn’t able to accomplish as much as I wanted/needed to today, and I’m off tomorrow for Gaiman’s follow-up vet appointment.

We got a little bit of a nice rain, but it’s another one of those days where there’s a lot of promises of some real storms but it seems to blow right by us. What was to be 12 hours was less than one. But at least Erin and I got to go outside and enjoy it for a bit.

Overall, my mood soured early and it never really picked back up. All of that’s on me, and I get it, shit happens. But we’ve been in this mode of not having any real money or savings for so long, so we naturally get a little excited when things ease up just a bit, and we screw ourselves up again. It wouldn’t be as tragic if my parents weren’t doing so much to help us.

Anyways, between the internet not working consistently and me staying up until almost one last night, and neither of us sleeping well, and the day being what it was, I’m not feeling incredibly creative or inspired. Even just to knock out words on some ranticle. I’m trying to hold myself to a higher standard of “write every day.” And even with just this, I guess I am. But I desperately want to go downstairs and veg out and eat junk and hold a cat or two on my lap and not think any more.

I did get asked by a friend if I was considering NaNoWriMo this year. I always, ALWAYS, consider NaNo. The last couple of times it’s been the Camp NaNoWriMo, which isn’t so strict in the amount of words you need to achieve (50k in November) and happens a couple of times over the summer. I’ve attempted the standard NaNo I think three or four times, I’ve completed it once, while unemployed, and it took a lot to do. Which is, again, funny. I can bash out 3000 words about the internet last night, but 50k over 30 days is tough when it’s actually focused writing. There are ghost writing jobs out there I hear about, where someone gives you the overarching plot of their book and you just follow that road map. You don’t get the praise or the fame or the money if it’s successful (you get some money). I don’t know if I could do it, but I do feel like that’s the training wheels I need maybe to get to where I feel comfortable storytelling again. My plotting sucks.

I’ve also been fantasizing about dressing up a couple of my stories that I have finished and putting them in a collection. Just to have one thing done and under my belt. But it just feels so desperate. No one will see it or buy it. It’d just exist on the virtual bookshelf of the Amazon store. Is that really what I want?

I said, to the friend, that I’m concentrating what effort I have in me on the comic with Levi. Which is true. I do believe that is what I want right now. That’s what my hopes are pinned on. Unfair to him, sure, because I shouldn’t place so much onto his shoulders (but he has volunteered this time). But it’s kind of that Eminem rap. If you only get one shot. God, I’ve spent more time on the actual 8 Mile than most people, I still can’t get myself to watch that movie, but that one line is stuck in my head.

The thing about one shot is that it’s a pretty bad odds maker. You put everything in that one thing and it fails, what do you do? Give up? Walk away? Never try again?

Erin paints all day, all week, all year. She has plenty of boards and canvases and old sketchbooks that weren’t worth her time to finish. But she finishes a ton of other shit. She just moves along to the next thing.

I used to be the Idea Guy. I’d have a dozen ideas for stories or comics or whatever in a day. Sometimes the barest bones, other times pretty in depth. Usually I’d get inspired by seeing someone else and then think, “Well, if I were you, I’d go in this direction. And I’d bring in this character. And then I’d…”

Easy. Just like giving advice. Easier to give, hard to come up with it for yourself.

My ideas have been less and less. Harder to flesh out. More frustrating that giving. I’m looking at old stuff because I have no new stuff. Now, again, I love the comic idea that I’m doing with Levi. I think it’s as valuable as it ever was, creatively-speaking. But I can’t figure out why I’m struggling so hard to get a handle on it now. Maybe because it’s waited so long, and I’m so desperate. Or maybe because the ideas that I had before weren’t as fleshed out as I thought they were. Or maybe it’s just my brain. Doing less and less with it the last few years has taken some of that magic away.

I am just struggling to be excited. And that, I think, is maybe more external than internal. I don’t see my friends any more, and for the last couple of years when I was in California, it was my fault. I was so stressed out, I was acting poorly when I was with them, and I hated it. I hated how it made me seem. I was there to have a good time, they were giving me so much, but I couldn’t get out of my shithole existence enough to enjoy it.

But out here, it’s different. Even without pandemics and such, we’re a bit on an island here. Erin has work friends, but that’s usually how Erin does things. Gets a friend and work and that’s her focus. I am used to being around a lot of people at a time. There’s a lot of energy to it, and I seem to shine better in a group sometimes. Which is weird because I was a pretty stand-offish kid. I have always needed some alone time to center myself. But I guess the abundance of it is wearing on me now that I don’t have much of a choice.

But I’m also probably reaching at straws. Who knows why I can’t get myself back to being inspired. I’m doing this to remove the roadblocks that I can. You don’t write if you don’t sit down in the chair and do it. You don’t get a story if you don’t put in the effort. If I go through the motions to write every day, maybe that will make it easier when the ideas come back.

I keep saying that.

But today’s not my day. I’m allowing myself just an ugly, sad, self-serving post of misery. And the only reason I’m throwing it on the site is because I promised myself I would do this as many days in a row as I could, on a better day than I’m having right now. What little headway I’ve made, I’m trying not to undo.

This post was done at the end of the fifth paragraph. I think I’ve tripled that. I get to feel like a failure today, but not about that particular part.

 Comment 

Adding to the pile

by C. Christian Scott on August 31, 2020 at 11:43 pm
Posted In: Blog, Main

I sure as shit tried to give myself a break by going online to write earlier in the day, but the site I use was down. So now it’s 10:30 and I just made myself a late meal (quesadillas) and my headache for today has shunted itself to the recesses of my brain stem, so I’m gonna pretend like it’s normal to be up until midnight on work nights.

Also, Erin made a cheesecake. Miracles happen.

So I saw something today on social media. A person basically wrote what they probably took as a funny comment in the wake of the tragedy of Chadwick Boseman passing away.

The gist of it was, “Here’s who I wish would have died instead of Chadwick.” And then they named one person who is pretty famous in comics (and, because of comics, in other medias too).

I won’t go into names. I’m a defender of the person that made that “hit list” most of the time. I get why some people have problems with them. I’m not a fan of all their work, and I know they, like everyone, have had ups and downs, done great things and not-so-great. They’re what people like to call a “love ’em or hate ’em” person. Because that’s what society has been reduced to. Especially online.

(food is still too hot)

But ignoring the fact that this post, which I’m sure is going to get the poster in some heat since they also work in the industry, is an insult not only to the intended target, but also to Chadwick himself who would never, I believe, have stood for someone using his name to target someone else like that, let’s look at why shit like this exists.

The internet can be incredible. Right? Like, I remember dialing into BBSes on my Commodore-64 (we don’t talk about that) and later on Prodigy where I met some wonderful and creative people. Now, not all of these people were my favorites. You get a virtual room of strangers, some people you’ll take to, others not as much. But we were part of things that were like-minded in the pursuits of writing or playing a game or whatever. And if we didn’t care for one another, well, we could always edge away. The internet was a lot smaller then, but it was still plenty big enough for everybody to not be clumped into thesame space if we didn’t want to be.

The internet has gotten so much bigger. So much easier to get to, better organized, smarter in how it finds you want you want.

And worse. SO MUCH FUCKING WORSE.

So I like to talk about my love of the old LiveJournal, where I found myself writing often, not as a character, but as myself (or a version of myself at least which is still technically a character in a way). LiveJournal was a social media site and set the precedent for a lot of the things that continue now. As a user, you had your own “page.” You would add Friends that you could follow their posts. They could follow yours if they wanted, but it didn’t have to be mutual. As things got more unruly, things were put into place to privatize your posts or block people if you needed. Customization was there, user icons, then photos. Then the first Memes started to show up and I think that is what caused it to lose some of its shine.

At the heart of it though was writing stuff and sharing it with your “group.” You cultivated it, found your people, made your space safe and enjoyable for yourself and others.

There were occasional trolls, but since so much of LJ was about putting yourself into what you wrote, they didn’t seem to gain much power. They didn’t have enough personality to get a following, so when a person to their profile would see them, there was nothing that painted them as interesting enough to spend time on.

MySpace happened because it was flashy. Graphics and music and Top 8’s as a popularity contest. I went to LiveJournal not originally knowing anybody. I went to MySpace because of people I knew from work, mostly. It never really clicked for me, and it seems obvious now that it didn’t really for anyone considering how quickly it came and went. It was really empty calories.

I found my way to Facebook, frankly, because of my mom. Mom wasn’t an LJ user. She’d read mine on occasion, but wasn’t into doing an open diary online. She encouraged most of my family members to go there. And Facebook became so huge that practically everyone just shifted to it. LJ lost meaning if you were writing to a ghost town (which is really sad to think about because that’s so not what LJ should have been about. I see that now more than ever).

In Facebook I had work friends, family, people I went to High School and Middle School with. And so many others. I love comics, reading them, making them, introducing them to others… A lot of the comic people I looked up to were on Facebook. Actors and Writers and Directors too. I could interact with my heroes.

But do you ever look at your Friend’s List now and wonder, “Where did all of these people come from?” Possibly not. Other people are more guarded than I am, often for good reason. But I remember when games started showing up on FB. The worst kind of games. The “sit and wait anxiously to get the next level-up you need, or you can pay us a dollar and get there now” kind of games. The ones where it’s not about skill at all and you never win anything. Some of them, I swear to you, are used in casinos. It’s the same deal. Dopamine convincing you that you’ll somehow win, maybe even get your money back (but unlikely). Just keep playing!

And games really advanced you faster if you added more people. So you’d talk your friends into playing. And your parents if you could. And then you’d just be hit up all the time by other people who wanted to add to their lists so they could advance. So you’d have all these people you didn’t know and you didn’t vet on your list of friends, mostly just seeing them post level-ups or “click this for energy” messages.

But the games kinda played themselves out (pour one out for Zynga), and they even gave us the option to block the posts. Imagine, Facebook of now buckling to give the user a better experience! What a time that must have been!

What followed though was Facebook’s next push. News. Not just news, but publishers of news. They convinced so many big publishers, of papers, of magazines, of television and so on, to come to their platform because, like I already said, everyone was on Facebook! Why wouldn’t you go there? Getting someone to click a link to your site was so much easier if you put it in front of people instead of asking them to come find your URL on Google or Yahoo.

So you know how you go to an airport (remember airports?). I was going to say Newstands but how old do I think you are. But any place that had printed periodicals. You would go in and there would be an organized way to find what you were looking for. Time and Newsweek would be in one section. Popular Science and Wired in another. PC Computing, Guitar World, other specialized stuff sub-sectioned out. And then the “trash” stuff like The Enquirer or Weekly World News would be in the grab and go up front, paying more to be seen as the last impulse buy for someone who didn’t want to be seen and judged carrying it around the store. There were distinctions.

Facebook has no distinctions. And, as far as news sources goes, that’s destructive.

What was even more destructive though was Facebook’s (very short) long con:

Come bring your entire audience to us! And now that we’ve got them all, pay us or they will never see your stuff!

See, when I worked electronics retail, we sold DVDs and BluRays, and the players to watch them on. And then one day I started seeing stickers on the sides of the players for something called Netflix where you could rent the DVDs online, have them shipped to your home, for a monthly fee. We had a (very large) video rental store chain in our mall. I can’t imagine what it would have looked like if someone suggested we start tagging all of our players with that chains sign-up forms, essentially telling everyone not to buy DVDs from us (which at this time took up something between 10-20% of the store). But we had these Netflix stickers that people would take home and sign up and, whoops! Now my old stores don’t sell DVDs and barely sell BluRays any more. Same with CDS (we’d bought an online streaming service but only advertised sign-ups for ones that we didn’t own. BRILLIANT!).

My point is, you have a customer base. You cultivate it. It takes a lot of work to build a rapport and trust with them. It’s personal, that connection. You have to care for it. It’s the only thing that’s keeping you in business.

And then you give that customer base to another entity entirely. Say, “from now on, we’ll be here. In this new, wonderful landscape that we have no functional control over.” And then the owners of that space, having access to all of your old customers, does not need you any more.

Not even a little.

Do you know what the difference is between Fake News (a term that has come out of things like Facebook and Twitter existing) and Real News is? You might. But many, many other people don’t. They not only don’t know, but they don’t care. They have a feed that gives them what they want to see, and more and more and more and more of it all the time, so who cares if it’s real. Who cares if it was created by Newsweek.com or N3w$werk.com as long as it says that I’m great, the people I don’t like are terrible, and sometimes there’s kittens.

You know the worst thing to happen to humanity in the last 20 years? The “Share” button. Do you know why it’s so bad? Because people know how to use it a lot better than they know the “Shut Up” button (also called “Mute” or “Block”).

Say you live on a block, and you have a nice house, and a nice yard, and you’re usually pretty happy with your neighborhood. And then one day, one of your neighbors gets a load of manure. Maybe they were planting some stuff, gardening, that… or maybe they just really love the smell of manure. And it’s not like manure doesn’t have value, so some other people on your block think, “Well, sure. I may not like it like Dave over there, but I’ll take a little manure.” And then they want to share it with their friends and neighbors, so they start flinging manure over the fence, at your mailbox, at your kids as they walk innocently down the street…

And your nice little home is covered in shit.

Fuck you. It’s a perfect metaphor. YOU WILL SHARE THIS WITH EVERYONE YOU KNOW!!

(#likeandsubscribe)

I talk with Erin sometimes about why it matters or not to be part of a “thing.” Erin has a lot of Irish history in her family. I have some too. Erin said something about her being proud of her Irish heritage. And I asked why? What does that mean? And we had one of our long, soulful talks about it. Erin’s never been to Ireland. She doesn’t know or speak Gaelic (I did try to learn once with a book on tape). She doesn’t even like the American-ized fake Irish traditions like Corned Beef and cabbage on St. Patrick’s Day. She has an Irish complexion I guess, but what does it all amount to? Being proud of being from a people that you don’t even know?

It’s no different, to me, than having a favorite sports team. You root for the home team (unless it’s Football and you’re from Detroit because come the fuck on). You love the lead player, until they get traded to somewhere else and then they and their new team are you sworn enemies. It doesn’t matter if they’re the best, or even good, or winning, or anything. Because you’re part of that team (who, no, doesn’t see you as part of them unless you’re actively buying tickets and their merch and just throwing cash at them. Which isn’t even about the players, again, because the players ARE NOT THE TEAM).

We’ve talked about this with Religion, and political groups. The larger a group you find yourself in, the stricter you need to be with yourself about what you accept and don’t accept from that group. Because while there is power in amassing more people, there is also the danger of losing the values that you came in with.

Religion has always had zealots. Someone that believes some tenet of the holy word in one specific way and ignores most (if not all) of the rest of it and can never look outside of it to let other people live their lives differently. That’s an extremist. But it’s not just religion. Every group or gathering of people, when it gets large enough, winds up attracting extremists. Because as it gets bigger and louder and more about the numbers instead of the original beliefs, it’s real easy to just slip someone like that in. And then you hear them say what sounds like reasonable, similar ideas to your own, and you think, “Well yes, sure, I agree.” And then you hear a couple of things that maybe you don’t agree with. But you’ve already got that common ground, and everyone else seemed to get their point, so maybe it’s you. And then, by the time you hear the stuff that should be scaring the shit out of you, you’re already in too deep to walk away without losing your entire social support structure.

And it used to take a slightly charismatic person to gather and con job a group like that into becoming extremists. But now the Share button or the Copy-and-Paste aspect of the internet mass produces it instead. Especially because the other joy of the internet these days seems to be “I MUST GO FIND SOMEONE ONLINE AND TELL THEM THEY ARE WRONG ABOUT EVERYTHING!” So we manufacture an “Other” to become the demonic example of our point, of everything we’re fighting against. Sharing and trolling is never, ever based on listening or learning.

One of the things I used to love about the comic shops I worked in was talking to other comic fans. They’d come in, have their favorite series or artists, and we’d chat away. And some of the conversations were debate-like. Spawn or Batman (it was the 90s so it wasn’t as ridiculous as it sounds now). Thing or Hulk. Superman or Thor.

It was so much fun. But there was also the conversations that were bashing. “I don’t read DC because they’re crap. I’m a Marvel guy.” Or “That Image artist is a piece of shit.”

I’ve worked at three shops. I’ve been in a lot more. I’ve heard that “piece of shit” argument about a comic or a creator many times. It always bugs me, but never more than when i hear it from the person who works at the store. I mean, what’s your point here. You think the comic is a piece of shit, but you still stock it to sell to people? So anyone who buys it, you think their tastes are shitty? And if they don’t buy it, doesn’t that just mean you talked yourself out of a sale?

As a comic book fan for my entire life, I love comics. I love the art form. And I love that it’s had a surge in popularity. Granted, the surge is more for the characters winding up in films and on TV, but you can’t argue when you see kids and women and men and people of all types dressing up as their favorite characters, or wearing t-shirts or getting tattoos or whatever that they’re doing, that it isn’t a success story for the things I’ve loved forever (my version of forever). My reading and buying comics for 40-something years doesn’t and shouldn’t mean that I’m some authority on how they should be and who they should be for. And in my time in comics retail, I was lucky enough to work in very inclusive, very inviting stores. There was no freaking out when a girl or woman came in to buy comics (two of my stores were owned by women). There was no pointing fingers at someone saying they were a virgin who needed to move out of their parents basement (in my first store, I was a virgin and I lived in my parents basement, so if anyone wanted to point fingers I wore the badge with pride).

People who shopped there did so because they loved comics. Or the comics characters. The cartoons, the dolls, the cards, whatever.

But it’s easier to sit and insult, and mock, and hurt online because we don’t relate to each other any more. We don’t understand, don’t even try to understand, the other people there. No one wants to put in that work when we can just Share a tragic news story about a kind and good and talented person passing away, and then use it to also maybe try to score points with other assholes by jabbing at someone who is commonly a very easy target.

And the more time I spend online, the more I fucking hate it. I hate how weak we, and especially I, have become. How much we clam up and not show our strengths and our goodness and our love. Sometimes we think the only way to be strong is to attack. The only way to love is to point out hate. The only way to be good is to perceive evil in everything else.

Its exhausting. And I say that as someone who does curate to a limited, but growing degree. I say that as someone who has incredibly creative and thoughtful and kind people on my friends list. And I say that as someone who, just this week, had to call out an old family friend for being very rude to someone else on my page. I hated it, because I know that friend isn’t a bad person at all. But what they posted was mean, but it was easy, and it was very much in line with how people talk to one another online.

It’s not okay. It’s not healthy. It’s not right.

And it’s covering us with shit.

 Comment 

Stop being polite, start being real

by C. Christian Scott on August 30, 2020 at 11:07 pm
Posted In: Blog, Main

Forgive me for this, but I’ve had a headache for the last few hours that doesn’t want to go away, and I’m in the middle of an allergy/sneezing attack, so I’m feeling a bit pissy.

What the ever-living fuck happened to cable TV?

I probably know the answer (or answers). But I haven’t seen a company rocket so hard under its own power to total self-annihilation since Tumblr a couple years ago, or what Twitter did to Vine once they bought it.

So aside from my equipment and service woes we’ve had since moving to Michigan and our local Comcast Xfinity provider giving us satellite boxes that rely on wifi to get a signal instead of the good old trusty coax lines that cable has always been known for, and how shitty the boxes have been, how the remotes seem to suck batteries dry faster than a ten-year-old goes through a CapriSun on a hot summer day, how one of my boxes now just refuses to connect to anything and won’t get through the welcome screen, and how I had to get a Mesh wireless system for an 1100 square foot house because their router/modem combo that i still have to rent from them because of their phone service I’m subscribed to even though I’ve never used it once… BESIDES ALL OF THAT.

The fuck.

No. Seriously. The actual Fuck.

RIght now the MTV Video awards for 2020 are happening. And do you know how I know? Not because I was paying attention to what was on MTV. Because that channel has been dead useless to me for more than 15 years, mostly due to the fact that it has the gall to claim a Music Video Awards Show like it has some fucking authority on the matter when it gave up the Music Television of its namesake for things that “starred” people named things like Snookie and The SItuation.

But there are currently, as far as much channel flip-through on my cable menu, eight (count ’em, EIGHT!) different channels that are airing the MTV 2020 Music Video awards. At the same time. TWICE IN A ROW.

TBS, TNT, Comedy Central, Nick At Night I think is moving to them as soon the SpongeBob movie finishes up. Other channels too, I’ve gotta assume VH1 is part of the fucking conspiracy.

It’s not enough that MTV doesn’t give a single fuck about music (or television) any more. But the one time they pretend to out of the year, they have to force fuck you with their lame ass attempt on seven other networks that also don’t have anything to do with music (VH1 can go feed itself off the army of dicks that MTV should be eating and shitting directly into its figurative mouth Human Centepede-style, just like it did with its regurgitated “reality show” content).

This is what these cable networks consider “programming” now. And it’s a fucking wonder that they’re upset that people are flocking away not only to paid streaming services, but to podcasts and YouTube reaction videos and Twitch gameplay streams. Because there is nothing there.

I watch an unforgivable amount of HGTV and DIY network (right now. DIY will soon be replaced by the Magnolia Network because I guess playing 20+ hours of Chip and Joanna Gaines reruns each week on HGTV wasn’t enough for them even though the show stopped recording over two year ago). My fall-back after these is the Food Network and Cooking Channel, almost exclusively because of Alton Brown and his Good Eats program(s). I love me some Home Town and Good Bones. I certainly liked the Gainses on Fixer Upper. I will play the reruns of the Mike Holmes stuff on whatever channel its on (is Destination TV a channel? Travel Channel maybe? I don’t know, something with a name like that plays about 20 hours of his ten year old show every Saturday night). I have watched and rewatched all these show and sat through some shit I’m not technically into because it’s just safe programming that I don’t have to feel too invested in, like Property Brothers or Beat Bobby Flay. Some things I just can’t stand, so I will change to almost anything else.

But these channels play about two commercials, at best, per break that are actually paying the bills, I’m pretty sure, and then another five to seven commercials that are just for their other shows, between the couple of networks owned by Discovery. How many times do I need to hear Scott say “Nailed it!” on his full or edited down commercial for his Vacation Property program? Or how about Victoria screaming “Show me the money!” at some poor soul off camera for a show that was basically a dressing up of reruns of old HGTV shows that aren’t even in production any more, like Dessert Flippers and (I have to assume) Boise Boys? Or Christina complaining how hard it is to have three kids and living on “the Coast” while doing designs for her friends who all want the same white kitchen I guess.

A lot. I have to hear these things a lot. Every commercial break for every half hour slot for the entirety of the broadcasting day. Over and over.

I don’t know what it costs to run one of these cable networks at this point. I’ve often wondered how much do the designers and builders on these shows get paid, and how much of a kickback do the homeowners get for being featured. But I can’t imagine that Wayfair or Overstock, the only two advertisers that seem to exist for the channels, can be paying that much. Although I did hear something about the MyPillow guy and how much he must pay in advertising to keep Tucker’s belligerent piece of shit ass on the air, so who knows.

There was a channel I watched when I first moved to Michigan two years ago that played old comedy sitcoms. The same ones every weekdays in several hour blocks. That 70s Show, Night Court, Spin City, Third Rock from the Sun, over and over and over. Some of these shows, like Spin City in particular, didn’t have a ton of seasons. But you’d see it blow through the entire archive in about a week’s time and then start it up again. Now I do think they added some more dreck to their arsenal, like According to Jim. But as I sat through these shows (I was bored, broke and unemployed), I saw two advertisers over and over. Both of them were non-profits. The Wounded Warrior Foundation and the Shriner’s Children’s Hospital. And I am super happy and grateful that they got featured so much to get attention to their causes, certainly. But I was both surprised that they could pay to run basically a whole TV channel by themselves, and that a TV channel could exist with only six or so shows, none of them with new content made in the last ten to fifteen years, running on it. Granted, I was pinned to it (at least until they started playing That 70’s Show or Home Improvement in the late afternoon), but I was practically a stoner without being stoned. I was just that bored. It still feels like it was more energy put into a channel that simply pads the numbers of “options” cable offers users without being anything people are actually wanting to watch.

I follow HGTV on Facebook (god, there’s another stream of nothing but waste a lot of the time) and every day now they post what’s going to be playing for the day in the morning. And people are… well, they’re on Facebook. Facebook is middle-line in the human centipede chain with Twitter at its back door and Reddit already in the landfill. The people who post replies to HGTV’s posts are pissed off because it’s just telling you, “Hey, we’re going to be rerunning the same 20 episodes of ‘Property Brothers: Forever Home’ you just saw on over the weekend. But we may give you a new House Hunters or two tonight at ten. Choke on it, ya vermin!” And yes, Covid means there’s not a bunch of new stuff being filmed, so we’re kind of stuck with the reruns, or the regurgitated reruns edited to look like a new show that I mentioned earlier. And Food Network gets even more heat for the one new show they’ve been able to put out with Amy Shumer and her husband because, let’s be frank, she’s divisive as a comic already, and I don’t know if she was ever going to fit the FoodTV demo. But at least they tried something.

But the Disovery Network, and then the Viacom Network (I think that’s still who owns MTV, VH1, Comedy Central, etc) are the lion’s share of what makes a cable package. Then you have the pay movie sites, your local channels that you would get for free if you lived some place that could get a signal over the air with a newer antenna because they said fuck you and the old way, now go buy this new piece of shit and hope it works when things went digital. There are channels dedicated only to selling you shit, so you pay for the privilege to pay for more useless shit. And then the 24 Hour News stations which, I think you may have picked up on this, I have zero respect for.

A few months ago, I noticed my cable company had taken away one of my premium channels without telling me. Cinemax. Now, I don’t watch anything I can think of on Cinemax (I really loved Banshee when it was on, but that ended years ago), so I don’t know that i care that it went away. But I did care that they took it away without telling me, without lowering my bill, and felt like it was all just fine. So I called and complained. And it used to be that you would call the cable company and they would make some restitution, although not nearly as much as if you were a brand new customer, because they knew you could just cut the TV and get all you needed through the internet (something they’re very aware of and why they meter your internet use so you have to pay for how much you download. This was on its way to being fixed, but some asshole with a giant coffee mug fucked shit up for everyone and I have a human centipede line-up ready that can steep his java for him).

I am a nice person and I respect people are just doing their jobs as best they can. When you call Comcast (in my case), you’re not actually talking to Comcast. You’re talking to the poor schlub that Comcast highers to listen to people scream and whine and generally complain all day, as they insult you, offer you up death threats, and tell you unkind things about your familial heritage. I worked in customer service for a long time. I don’t like to treat people that way.

But I was really lead down the path of, “Look, sir. I get that you think we’re giving you shit service. And I completely agree with you. But your time of value to us is over. We don’t care if you give up your TV. It would be a blessing to us now. We’ve got our own streaming service, Peacock, on its way, so we can give you that for free with your TV subscription or charge you for it separately. But we’re your only option for high-speed internet. You know it, we know it. So no matter what, we’ll get $150 out of you a month, and then raise prices and drop back service and features, for the foreseeable. So you can bitch about your Cinemax all you want. Let me put you on hold now so I can go mock you. I’m kidding of course, I don’t care enough about your feelings to mock you, I just want to watch something on Quibi.”

That’s a joke too. Nobody is watching Quibi.

So I did get my Cinemax back, but I don’t watch it. And i was trying to catch up on Big Brother episodes with Erin, but our DVR was running like shit and kept pausing like it was YouTube from ten years ago. And I look and I see that eight of the channels that I do get are playing a five hour block of the exact same thing, Epix is playing the two Charlies Angels movies back to back for the billionth time this month, most of the other channels are playing things that are available through my Netflix or Hulu pr Amazon subscriptions anyways. And I came up here, with a headache, sneezing, because it’s preferable to try to type up a rant through my allergies than it is to look at the bullshit that counts as “entertainment.”

So thank you, Comcast, AT&T, Warner Media, Disney, Fox, and fuckall, for motivating me to do the thing that i honestly could have skipped tonight. You sucked out loud so massively, I actually did the right thing.

I suppose tomorrow night I’ll have to find a bone to pick with terrestrial radio. Shouldn’t be too hard.

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