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Calendar

by C. Christian Scott on September 4, 2020 at 4:53 pm
Posted In: Blog, Main

One thing Facebook actually seems good for (good might be too giving. Adequate for is probably closer) is the memories.

Now, some days are going to be better than others. I post a lot of pictures of my cats, because the internet says that’s the only way it can be powered without consuming our very souls. But our boy, Dante, passed away a couple years back now, so I find myself still dealing with a hovering grief when I see him. Oh, I love that I get to see his beautiful face and fur and remember all the good times, sure. But losing a pet is a constant kick to the gut. We don’t have kids, so I have no way of comparing it, but it was a creature and friend and companion who relied on me to give them the best life I could manage, and you always wind up second-guessing at the end if you did things right.

But that’s not what today was, so excuse me as I try to fight back tearing up for a second.

Today was the two year anniversary mark of when we publicly announced that Erin and I (and our other cat Gidget) were moving out of the house we’d had in California for the last ten years, and out of California completely, which we’d both been in for just over 22 years I think (average). That my parents had purchased a place for us in Michigan.

The two posts about it had a lot of comments and good wishes. One of them hit around 160, but a lot of that is just my friends and family and us, we like to talk shit. So things digress into silliness pretty quickly. But a lot of it was kind of big news. Most of the people I knew at the time, and still more people that I know now, came from my being in California. I spent what was the second half of my life there, moving out on a whim when I was 22 or 23. So moving out when I was 46, just nearing 47, I was very much as Californian and I was a Michigander. Probably more, because so much of my growing into who I was took place out there. I was, for the most part, on my own. Not discounting my friends who became my second family (and more like my first) taking me in, taking care of me, being loving and caring and awesome people. But many or basically all the decisions I made were mine to make. I was a pretty sheltered kid, by choice mind you, but I wasn’t outgoing or adventurous until well into my teen years. Which maybe culminated in me feeling like I needed to move all the way across the country to figure out what I wanted to make of my life.

So we’re about two weeks from the anniversary of the move date itself. But it’s enough of a call back for me to try to evaluate how it’s been. I think any time a huge change like that comes about, you go into it expecting great things. At least hoping for them.

And, yeah, some things are better.

But I wouldn’t say that the two years has brought me closer to feeling like “we’re making it,” and that was a big part of leaving Sonoma County. We were underwater on a mortgage for the entire ten years we were in that house. Financially we always struggled. Personally, the last several years were higher and higher stress for me. My unemployment stint happened in that house. But we also got married in that same year, so it wasn’t terrible. Just devastating in how it threw me off on what I believed about myself. And I came out stronger and happier in a much better job, a much better career. But that job I had to leave when we moved. And out here… I’m in what feels like the retail job of I.T. Which is odd, because I worked what was actually retail I.T. at the job I was laid off from. But this is more the policies of retail, the management structure and bumbling and chasing numbers and obscure and often moving goals being the focus as much or more as client satisfaction. Pay is lower, which I expected going to Michigan from California. But advancement is almost non-existent. I’ve been in I.T. proper for seven years now, and the years in the retail version brings me to around 15+. I am experienced, I am hard-working, I am motivated to help people. I am honest and caring. Both those things actually seem like a detriment a lot more of the time than they should.

Obviously with my recent post, money is still an issue and possibly always going to be an issue for us. We’re notoriously bad at not spending when we should be saving. Erin also took a huge hit to her pay scale, working at less than half she made hourly at her last job, and working part time hours as well. But it was my hope that moving here that she would be able to work less and focus on her artwork, and on that end, yes, it’s a big improvement. She’s done so much since we got here. She got her first (of not multiple) gallery showing. Strangely enough, a place in California. She sells tons of commissions pretty regularly now. She’s done some merch, which I think will start to take off eventually when she hones in on what she wants to do with it more. In every way, she is a successful artist. It’s not a replacement for her needing to work a “normal” job yet. But it seems to be heading there.

So if I go off of how the move has fared for my wife, it’s easy to see that it was the right decision.

She is also much happier in the house we live in now (upsettingly still owned by my parents because we haven’t gotten stable enough to buy it from them yet). It’s smaller but a couple hundred square feet, but not in a way that we ever notice. The yard on the other hand is huge. Two to three times larger than we had out there, possibly more. We are a bit close to the street, but have no view of neighbors to either side of us. In California, a lot of our style homes are practically window-to-window. One of the things that killed me there was that California is beloved because of its climate, and how beautiful it was outside so much of the year (that has certainly changed over the last few years though, in a dangerous way). But without yard space, you barely got to enjoy it. Sure, you could drive to a park or to the ocean or to the redwoods. But that’s not anything I enjoy doing. In fact, my over twenty years in California and I still never once set food in the ocean. I’m not even afraid of water. I loved swimming as a kid. But open water and beaches are completely against my nature. As are crowds. I like home, I like private, I like quiet unless I choose to make things noisy. And then I like not having someone close enough to complain about my noise.

I am still living with boxes in my space. I have an office now that is twice the size of what I had at the old home. Granted, I lived with boxes there too. I gave up my office for a period of time for one of my best friends to come live with us (which was such a small thing to do for her. And she is who invited me to come live with her when I moved to California to start). I like having a “space” but I don’t always know what to do with it beyond setting up a desk and a computer. And here, a TV and a pulpit. I have bookshelves that need filling and organizing and expanding really because they can only hold so much of my shit. I’d like a sofa or daybed up here to relax with the cats. We have three now, and Gidget had pretty much relegated herself to the living room since the new kitten arrived. But she’ll come up to the office sometimes, and I think a place to cuddle up together would entice her more.

Erin has a perfect art space that I had picked out for her when we were first looking at this house online. I’d actually thought she would have two spaces, there’s a kitchen nook I imagined she would paint in because it has a big window and I didn’t realize how much our stuff needed to stretch beyond the two cabinets our kitchen has. Now that we moved our cart of shelves into the kitchen proper, we put a table in the nook as well as our deep freezer to utilize it better. But Erin’s alcove in the living room with her huge art desk has been incredible for her. She had a separate office from mine at the old place, and I put a small TV on her old desk, and I thought it would get a lot of use. But she actually tended to sit and draw on the sofa in the living room. Maybe because it was more open, or maybe because it’s where the larger TV sat. I don’t know. But when she said the upstairs was going to be my space (our upstairs in one big open space. It’s like a second bedroom but there’s no door to it, just the stairway down) I knew that she was going back to the sofa and the ottoman if we didn’t work out a new system. She gets to do both, because shortly after getting here I invested in an iPad Pro for her since I saw so many artists doing miraculous things on them and felt it would be something she’d benefit from. So she sketches on that on the couch, then moves to the desk to point (or sew or sculpt or whatever new thing she wants to try that week).

That she accomplishes so much and that I don’t, I know, is totally on me. I’m getting more focused now in the last couple of weeks. But there’s still things I could be doing. It’s been a few months since I’ve podcasted, I don’t know if or when that’s coming back, but I’ve got a lot of space and equipment dedicated to it up here. I could change things and make it more comfortable for other efforts if I chose to. I just have to convince myself that it would be okay to do. And nothing can’t be changed back, or it’s not like I couldn’t find a new happy medium to share the space. But that’s part of it I guess. In the two years of coming out here, I’ve had two long-ish breaks from the podcasting. We started the show (one of them) five years ago. While nothing has been said about it, it’s possible that it’s just reached its end. I hope not, but I wouldn’t be angry or anything. I still enjoy the act of podcasting, but its pretty obvious if you’d watched us the last few years (and, come on, no, you weren’t watching us. Very few people did. But the ones who did… My favorite people) that we were doing it more because we liked hanging out with each other and our guests than it had anything to do with putting together a “show” for an audience. No illusions held there.

The other major part of being here is being close to my family. I get to see them about once a week, which is vastly superior to how it was when I was two days’ drive away (even a flight worked out to a whole day’s journey essentially). I saw them, at best, once every two-to-four years in the time I was out there. So weekly with my parents is, and should be, great.

But that’s my mom and stepdad (and a couple of my nephews). So much of the rest of my family and friends I still haven’t been able to visit at all. I have seen Levi twice since moving here, which is almost as many times as we ever saw each other before I moved back. But I’ve only been out to see my dad and stepmom once. My eldest younger brother wasn’t even there for that trip, so it’s been about four years since I saw him last I think. Not any closer to seeing the friends or places I grew up with. We’re on the other side of the state from where I grew up, so it’s a three hour drive to “home,” and I haven’t honestly looked into even trying to attempt it. Being back in Michigan, I still feel very distant from it as I knew it growing up. And sure, this year in particular has done a number on all forms of seeing loved ones or traveling, so I can’t take that too personally. But I had a year before 2020, and the only time I spent with my extended family honestly was for my grandfather’s funeral just after I got here.

When it comes to leaving California, packing up, and making the trek back to Michigan, it’s still not a sure thing if it was the best move or not. For me. And that’s supposing I need to make a chart or some other way to measure to compare the two. They’re just different places, and different phases of my life. I would love to be able to look at it and say, “Of course, this was easily the best decision we could have made.” And it’s probably true. But it’s still challenging, in new ways, of course. But in the same old ways too. And it’s worse in some ways because out in California I felt like I was only a burden for us. Here we really are taking a lot from my parents in how generous they’ve been with us. Getting some of that under control would go a long way, I think, to make me feel better. But it wouldn’t be everything, right? I still have the stress. I still have the feeling like I’m not accomplishing enough personally or creatively. I still question if I’m giving Erin everything she needs to find her happiness. If my cats are getting their best and healthiest lives.

Maybe that’s too much to expect to change in just two years. Especially when one of them is this one. But it does feel like what I need to figure out. I thought I’d be closer to that by now. I think I can only console myself that I don’t believe I’d be any closer to figuring it out in California.

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“Learn to fly with just a few spare parts” (Drabble)

by C. Christian Scott on September 3, 2020 at 6:43 pm
Posted In: Main, Stories

Byrd came in with her hands greasy and her hair pulled back in a messy pony-tail stuffed under her grandfather’s hat.

“Grandma!” she called. Gram!”

“What is it?” Esther called back from the kitchen where she’d been fixing them lunch.

Byrd flew from around the corner, breathing heavy because she’d run all the way in from the garage, around the front of the house, up the porch, and in through the den to find her. The long route.

“I need one of these!” She held up her left hand, her thumb and forefinger making a circle. She’d been very careful, she thought, to keep it the exact size and shape from the measurement in the garage.

Esther looked at it. “You need a hole?”

“No, gram! No, I need the thing that goes around the bolt!”

“Ah, okay.” Esther moved to the long cabinet, to the fourth drawer on the left. “You need the ratchet set.” She started sifting through and then a thought struck her. “What bolt are you ratcheting?”

Byrd put her left hand behind her, hiding it now. “Nuh-uh.” That was one of Byrd’s tells. She wouldn’t lie to her grandmother. But she would just say no or ‘nuh-uh’ if she didn’t want to say something that could be a lie. Don’t make me fib, is what it meant.

Esther kept the drawer half-open but stopped her search.

“Little Byrd, you need to tell me what you’re doing out there.”

Byrd looked at the refrigerator door, decorated with some of her drawings, instead of at her grandmother. “I’m just fixing the thing.”

“Byrd…”

“I mean, I’m making the thing. I’m making the flying thing. From papa’s magazine.”

Esther closed her eyes and thought about what that actually meant. “The flying thing… What magazine of your papa’s is that in?”

Byrd looked back now, smiling, excited to talk about it. “The science ones! It’s in the back, they have all these old things you can order, and one of them was the flying thing. And when I got to the bottom of the stack, I found the book that says how to make it!”

Esther’s husband wasn’t exactly handy or inventive. But he liked to dream that he could be. So yes, he’d collected a bunch of subscriptions to Popular Science and Popular Mechanics some forty or fifty years ago, and it was very like him to have bought into the idea that they could teach him how to make a flying… car, or ship, or whatever this was.

“Is this a toy you’re making?” She still needed to know what it was being made out of.

“No, no… It’s a ship! I can ride in it, and then I can fly and go to outer space!”

Good lord, Jack, what did you cook up for me to deal with today?

“Little Byrd, can you bring me the book you’re looking at?” And then she glanced back at the stove. “Or, on second thought, let’s finish up making lunch and I’ll come out there and look at what you’re doing.”

Byrd looked doubtful. “Are you gonna bring the bolt thing?”

Esther sighed. “Yes, I’ll bring the ratchet set. Now go grab me the bread out of the fridge.”

The garage was a sight. But it had been a mess for the last two years at least. When Jack had gotten sick, he couldn’t keep up with the organization of it. Things got taken out, loaned to neighbors, used for a quick repair, and never got put back the same way. If at all. And then when Jack was gone…

Esther tried to pick out what was today’s mess from the mess that had already been there pre-Byrd.

“Okay, do gram a favor. Clear off those two lawn chairs there. We’ll eat and you can show me what you’re doing.”

Byrd would’ve say on the dusty cement floor but obeyed her grandma’s wishes. She’d gotten her tools and a sandwich and fresh strawberry-lemonade on top of it. And it had occurred to her that some of the details of the instructions for the flying ship didn’t make as much sense to her as she would have liked.

Two bites into the turkey and sprouts sandwich and Esther was already pretty full. She would normally have given half to Jack. She pulled the small workbook from the bench and thumbed through it.

“Okay, Byrd. I think… well, first off, this isn’t a flying ship. Not exactly.”

“Oh no!” Byrd cried. “But it says–“

“I know what it says,” Esther continued. “But the name is kind of misleading. It’s called a ‘hovercraft’ because it floats over the ground. But only a few inches. So it can glide over the lawn, or the street, and maybe water. But not up in the clouds.”

Byrd was pouting. “Not even outer space?” she said, defeat in her voice.

“It won’t get you there at least,” Esther shook her head. “Unless our papa has plans for a rocket ship around here,” and she wasn’t sure that it was too far-fetched that he would so she let that trail off. “But why would you want to go to outer space anyways? What’s up there you want to see so bad?”

“Nothing. I just don’t want to be here.”

Esther was taken aback. She had no idea that Byrd wanted to run away. That she wasn’t happy.

“Did I– did I do something wrong? Byrd, did I upset you in some way?” Her voice cracked.

Byrd saw the look on her grandma’s face. “Oh no! No, you didn’t do anything! Oh gram!” And she got out of her chair, nearly spilling her lemonade, and hugged her grandmother hard. “No, you’re the best gram in the world!”

Esther let the warm hug wash over her. She collected her feelings and kissed her little one on the cheek. “I love you too,” she whispered.

Then, when things felt normal again. “Okay, so why don’t you want to be here?”

“Amanda.”

Ooh, that name. And the way Byrd said it. Esther had heard her granddaughter talk about Amanda many a time, and never in a nice way.

“What did Miss Amanda do to you now?” She added a hint of ‘I don’t like her either’ to her tone, just to make Byrd feel understood, even though Esther had never met the other girl.

Byrd just went into it. “She always makes fun of me. And she calls me names. And she says my name is stupid because I’m a bird that doesn’t fly. And I hate her. And she has a stupid name too and an ugly face and bad teeth.”

Esther didn’t want to laugh but barely caught herself. “Okay, okay. So she’s mean. So why would you want to leave. Why not get her to go away?”

Byrd frowned and shook her head no. “Because I wanted to fly. I wanted to fly all the way to the moon. And then Amanda would say, “I’m sorry, you can fly, I was wrong!” And I wouldn’t have to hear her because I was in space.” She started fumbling with the case for the ratchet set to open it. “But now I can’t fly. I can just hover. So I guess I’ll just float to an island or France. And then I still won’t have to look at her dumb face.”

Esther took the tool set and opened it. She showed Byrd the different sizes to find what would fit the bolt. And how to attach them to the ratchet driver. “But wouldn’t you miss my dumb face, Little Byrd?”

“Well, sure, gram. But I wouldn’t stay there. Not forever.”

“Oh. Then I guess it’s okay.” She watched Byrd take the set and start holding up parts to a bolt on the lawnmower. “Is… is that what you’re trying to take apart? My mower?”

Byrd didn’t turn around to look at her. “Nuh-uh.” She just kept looking for the right size.

└ Tags: Drabble
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Damn my brain.

by C. Christian Scott on September 2, 2020 at 10:27 pm
Posted In: Blog, Main

So the NaNoWriMo question from Rita the other day set it off. And then today NaNo started emailing and posting out that you can “announce your novel” now. At the beginning of September. Because like Christmas and Pumpkin Spice, we need to move everything to larger and larger windows of when they begin and when they end. Saying right now is a good time to start planning your NaNo, getting some bones of an outline down, sure. Announcing it though? This year? I mean, do we even know if there’s going to be things like The Internet or The Written Word by the time November hits?

You know what else happens in November this year, right?

(Stop giving me a “thumbs down,” Skwerl! Eating a bite of cheesecake between paragraphs isn’t me being distracted. It’s me experiencing joy. Sugar keep the brain worky.)

Now, I am adamant that I am not and should not be doing NaNo this year. Not because of 2020 Chaos Fatigue, but simply because what little lumpiness remains to my grey matter right now needs to be focused on One Thing And One Thing Only. I’m already distracted enough by life’s little anxieties, my cats, and apparently cheesecake. And the sneezing fit that’s just overcome me (Skwerl, if I see that thumb for this, I swear to God).

But in the spirit of trying to let myself “dream bigger” and exploring ideas and stories and just because sometimes the idea of writing something with a set goal when everyone else is doing it can be fun…

I’m thinking about NaNo. Not so much about -doing- NaNo. Just about it.

I can’t remember the first NaNo I tried, as far as when. I know we were living in Petaluma, CA in a house we’d rented with Erin’s mom. It was a big place, very nice, and had a huge open loft area upstairs (the same floor the bedrooms were on). I had a computer desk, an L-shaped one (that survived several moves up until this last one and promptly fell apart as soon as I tried to set it up for my writing desk), and Erin had one as well (but hers was glass as mine was wood/particle board). The were butted up to one another and it made for a pretty comfortable space. I could play on City of Heroes and LiveJournal/MySpace (it was probably a thing at this point) next to her playing her Sims. Sometimes her mom, Becky, would use one of the computers when it was free. I didn’t mind not having a private office. No one bugged me if I was doing anything productive, which I almost never was.

I saw someone post something about NaNoWriMo, again, I’m assuming on LiveJournal. And I looked it up to find out what it entailed. I thought it was interesting and I ordered a copy of “No Plot, No Problem,” which was written by the creator of it. NaNo was a bit like Inktober, where it was created by one person and wound up sort of belonging to a huge community. But whereas Inktober’s creator has pulled in the reigns, for whatever his reasons, and edged out a lot of the creators who joined in the fun before, NaNo seemed to become more of a non-profit in ideas and ideals. I don’t know if it’s technically counts as one, I haven’t looked that close, but it does offer merchandise and other things that are meant to fund educational things for kids. I really like the idea of it, but since my funds are often pretty bleak, I haven’t done nearly enough to support it in that way. I wonder if I could put it in the spot where my Amazon orders go towards a charity of my choosing.

NaNo really is such a community thing though. Each year (or session, as I’d mentioned Camp NaNoWriMo runs in a couple of the summer months) they open up message boards so you can find like-minded writers and build little support groups. Some of them are based on location, others on genre, some on age, and so on. There’s a group in one of the towns close to me that has a Facebook group that I’ve been in and was rather actively meeting up regularly, but they have quieted a lot since coffee shops and cafes closed down and public gathering became a danger. I’d never worked up the nerve to go to one of the meet-ups well before that was the case though. As I said a few posts ago, I don’t know how to share my writing with others. The process especially. It’s a shortcoming and I need to get passed it at some point.

I went into my first NaNo with a long-term idea. It was from a comic I had been working on when I first met and was hanging out with Corky, back when we both worked at the comic shop in Canton, MI. It was to feature a number of characters in a post-apocalyptic fantasy setting (with Science Fiction elements, but soft Sci-Fi, so it’s really just fantasy with technical window dressing. Star Wars, not Star Trek). It was also maybe going to use elements from some stuff I’d worked on in my time on the Prodigy boards, dealing with a magic-wielding girl and her demon sidekick.

It didn’t have a lot of substance to it. Like I’ve said, I don’t Plot well. But that was what you were supposed to forgo and forgive yourself for with NaNo. It’s right there on the book cover and the posters and the t-shirts. No Plot. No Problem!

But it is a problem. For me. And I write blind a lot. I’m a pantser (the term of people who write “by the seat of their pants”). And least I think I am, and technically almost everything I ever have written has worked that way. But it’s also almost always short stories or chapters to a continuing saga that doesn’t have to go anywhere because it’s just serialized on a BBS about X-Men or whatever. Sometimes I just write the “sweet spot” or juicy moments of a story with no real story around them. I just hear people talking, and I throw it at the page.

Which is fine. Some of my short stories are actually kind of good, even coming out fully formed. Yes, they can all use either some fine tuning or a total overhaul to make them really shine. But it’s somewhat wondrous what I can accomplish just hacking away at a keyboard when the mood strikes me.

30 days of a mood, however, is, while not impossible, at least very unlikely. My first NaNo hit around twenty-seven thousand words, with one or two scenes pasted in from when I’d first written them some ten years before in Michigan (so let’s safely round down to 25k). That’s not a bad effort really, for a first timer, both in the NaNo challenge as well as the “writing a novel” attempt. But that story hit a point where i could not pick out what these people were supposed to do next, and that deflated me.

My next attempt was a couple years later. By this time we’d moved into the house Erin and I bought (and all the agony that came with it). I don’t think I had an office at this point, I think I’d given it up to a roommate. I do remember trying to write on my laptop in bed. This was also an old story I’d wanted to do for some years, but I’d never attempted to do any of it before, and I did have, I thought, a better understanding of where it was going to go. A beginning and an end were there, but the middle was mushy and missing a lot of ingredients. If the crust of a pot pie is the “pie,” this story was missing a lot of the “pot.”

No Pot, No… That was unintentional and stupid. Let’s move along.

That year’s defeat was a devastatingly measly seven thousand words I think. Never really took off. My lead character started to develop abilities and an attitude that was outside my original vision just so I could explain away the weak points in my structure, and while I would normally have been able to just run with it, I’d convinced myself that I had “had a plan for god’s sake!” and that I’d just mucked it up too much to go any further. Fucking ruined.

Somewhere around then, maybe a little before, perhaps a little after, I tried to write a book that I had promised a friend. And this also had a beginning, an end, and some bright middle bits, so I thought i could do it without a deadline or a contest or anything. But I had gotten so accustomed to writing being easy so much of the time, that when the opening didn’t click with me, I built a wall up and buried the story that I loved the idea of so much. I’ve heard it said that if you can’t write a particular story it’s not necessarily that the story is bad or that you can’t write. It’s just not the story you need to be doing right now. That may be the case, I don’t have the experience that the writers I’m quoting have. But I do know that the story in question still haunts me, as much for the promise to my friend, but also because I think it would be a glorious tale in the hands of a better and more well-suited writer than I. I tend to think that a writer can write characters that are different from themselves, that’s the beauty of story-telling. But in trying to do this one, I felt very limited in my world view and experience and just like I was letting down my main characters because I couldn’t define their lives in the mundane parts, only the fantastical ones. And the story needed to be rooted in humanity to allow the fantasy to flourish.

My final (proper) NaNoWriMo attempt came about seven or eight years back now. I had been laid off from my retail job of twelve years that summer, and I had no real prospects of what to do next. I felt like I didn’t want to go back to the retail sector, but i didn’t think i had enough to offer the private sector as far as tech work. Turns out eventually that I was wrong, and working my first “big boy job” as my wife put it really was the most fulfilling one I’ve had. And while I had a lot to learn, I learned in doing, and I became really good at it.

But the November after I was laid off, I had nothing stopping me from doing NaNo. And thought, if I’m ever going to be able to complete one of these, it would be when I had no other obligations. Our roommates had all recently moved out, so it was just Erin and I and the two cats. I had no Black Friday build-up of stress for work. I had no worries about finding a new job at that point because my lay-off did allow me some time to figure stuff out (I took way longer than I should have probably, but in the end, Dream Job. So I can’t look at it as the wrong choice).

This story was much more a new idea than any of the others had been. I’d been kicking around a fun, action-laced fantasy story. I’d been playing D&D with my friends and had pulled in more ideas of the kinds of characters I liked to play. I also had gone with my tonal strengths of tempering humor into whatever it was I was doing. Oh, and I decided that my main character was a complete and utter prick. Which made him incredibly fun to write. And I gave him a sidekick who was both innocent and whiny and never knew what the hell was going on and a consummate victim the whole time, so I had someone to torture and that was even more fun. Two voices I knew how to write: Prick and Victim. They’re essentially both sides of my personality, and I torture myself all the time.

It mattered, of course, that i didn’t really know how to write action. It mattered again that I had a squishy plot. But it also mattered that taking the story off the rails brought out ideas on the fly that I could not have planned for. I involved a third character that I had fully intended to write out of the story in the first chapter, and discovered that I liked him way more than I would’ve thought I could and that he had more reason to exist than I’d expected him to.

And I just laughed at what I wrote a lot. Reading it now, for all its faults, and all its gaping plot and content holes, I still have a great time going back to it.

It’s unfinished. I wrote an ending, but I skipped ahead to get there, and I don’t know what the route was to get me there honestly. And fuck all if I didn’t end it on a cliffhanger to be continued in at least one follow-up book (or maybe two). That was not the plan. I wanted a one-and-done. I wanted one book I could publish or at least have a “I FUCKING FINISHED IT” banner attached and then I could move the fuck along having accomplished that one thing finally.

There were also parts where, like what this spot has become, I started journaling instead of writing the story, because I had to talk out what was going on and what I thought I’d have to do next to keep writing. And I counted those words because they were just as hard to write as any of the prose. And i really wanted my 50k Badge.

Which I won. Technicality or not, I completed NaNo that year. And I came out of it not with a finished novel, but like I accomplished a thing, and with something I don’t completely hate.

That’s good win. Long time coming, but I makes every attempt feel worth it. And It allowed me to close a chapter on my writing journey. Not the one I expected. I wanted more. But I could take this.

Oh, balls, I forgot, I did try NaNo one more time. Probably the year before we moved out of California. I took time off of my podcast for it. Was it in November? Maybe it was a Camp. I can’t be sure at this point. What I do know is that I took a different approach. I stole the plot, and I mean the entire structure, chapter-wise, of one of my favorite books growing up. And I moved it from being a fantasy story to being one about superheroes. And I got maybe as far as the second NaNo attempt. I’d been working at the new I.T. job, and while I’m not laying excuses to the work, I just slacked off and let the challenge dump. It was never a serious attempt anyway. Maybe why I forget it existed so often.

So four NaNo attempts, one novel outside of NaNo that crashed and burned too. Other things here and there of course. I have to wonder, is it losing at NaNo so many times that makes it feel less compelling to do or is it winning it the once? Is it that, even though I’ve seen a number of people take their NaNo novels and turn them into actual published works, I can’t point to anything I’ve done in the challenge and say, “Oh yes, that’s the final stage for that story. I’ma put that in print!” Even the winning book, without a co-writer to get my past my shortcomings, I don’t think it stands a chance, even at being self-published. There’s just not enough there as is.

I do think what it would take to get me to attempt NaNoWriMo again, beyond having an actual idea for one, is a serious sit-down with building an outline. I’d want a solid roadmap for next time. I’d want to plot what would happen, and why, and to whom. I’d need more info on the characters than, “Doone is a prick.” Which is literally what I wrote on my character description page for him in my Scrivener file. I may have said “complete prick,” it’s been a while. Sure, it’s his most featured and, for me at least, endearing trait. But I knew not much else about him until I started giving him shit to fuck with. So a better look into the heads of the characters could be good.

And I don’t know if it would be better to have a plan for what comes of the book after NaNo or not. It really doesn’t take much to get a book “published” these days like it did when I first started doing these challenges. If you’re comfortable doing it to your potential audience, you can put almost any stupid piece of garbage in the Kindle store. Some actually sell quite well, as sad as that is. A pen name can save you a lot of public guilt too. But that feels not only skeevy to me, but it defeats my drive of writing something I can show some pride in. I don’t expect a lot from myself, but what I want for me is elevated from where I am now. Not lowered.

As usual, this is a “thinking out loud” piece as opposed to a “call to action” one. I came to this post not planning to actually do NaNoWriMo this year, and maybe not ever again. I don’t feel sad or like I’m abandoning some dream when I say that either, which is good. I feel my failings a lot, heavy and hard. That this doesn’t seem like one is a healthy moment for me. And that I’m not completely writing NaNo off forever, or even for this year, is healthy too. It’s just another possibility. An If but not a When. That’s all right.

But it’s in my brain now, kicking around. And that I’m thinking about the possibility of writing story again… I’m kind of in love with that feeling.

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